tuesday 21 june, 6.30pm
festival club (ground floor)
(unclassified all
ages)
|
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Yonder
Emilia Forstreuter
Germany, 3'29, 2009
An explorative journey through an alternative
world with its own organisms, shapes and laws. A world of the simultaneously
familiar and foreign. |
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Armour
For A Boy
Corey Lee, Michael Welchman
Canada, 5'11, 2010
A manga-inspired folktale of one ronin's desire
for retribution and a sensei's final lesson. |
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The
Necessities Of Life
Gerald Guthrie
USA, 5'02, 2010
A digitally animated exploration of the struggle between basic human
necessities and the need for culture. |
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Life
Forms
Cathy Karol
USA, 2'30, 2010
Hand-drawn, sensuous, animated
life forms spin, dance and gather to a jazzy rhythmic beat. |
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So
On | Immerfort
Maja Nagel
Germany, 7’44, 2010
A continuous development
from the singular to the plural in perpetual alternation between chaos
and order. |
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The
Death Of An Insect | Eraan Hyonteisen Tuho
Hannes Vartiainen, Pekka Veikkolainen
Finland, 6'46, 2010
In a lifeless urban landscape
where time itself has stopped its crawl, a mad ballet is commencing. |
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Origin
Of Mass
Aleksandar Rodic
USA, 1'45, 2010
Inspired by the most recent
experiments in high-energy particle physics and the Higgs Boson, aka
‘The God Particle’. |
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Modern
Mirai Mizue
Japan, 6'43, 2010
An expanding cube, always
morphing. Restless, no where to go. |
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Bob
Julie Garrod
UK, 3'21, 2010
Narrative stands aside to make
way for a celebration of animated movement with more than a nod to
the Rorschach test. |
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Dyslexia
Gabriele Gianni
Italy, 4'34, 2009
During the progressive destruction
of the alphabet, only the monosyllable ‘no’ seems to retain
meaning. Life from the point of view of people who learn and think
in different ways. |
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Body
/ Bodies | Corpo / Corpi
Francesco Scarponi
Italy, 2'48, 2010
The search for identity:
multiple, singular, personal, social, animated! |
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Judgement
Day
Jono Candlish-Wilson
UK, 3'30, 2010
A recently re-animated robot
and a varied cast of characters travel through a changing landscape
of oriental mountain ranges, icy caves and derelict warzones. |
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Ooh
La La
Sharon Katz
Canada, 1'37, 2010
Composed of hand-painted
imagery in motion, this digital frame-by-frame animation playfully
critiques the bonds of sensual partnerships. |
